Wei Yu is especially good at walking grass, and Qi Weijie has tasted my first poem, two articles, three paintings and four understandings
Yuan Hongdao Xu Wenchang Cloud
The length of the poem is bold and unrestrained, and its posture is charming and leaping to the impossible, but it is absurd to say that the length of the poem should be determined by Wang Yayi’s essay, regardless of the law, and Mr. Shen’s sincere method is also a chivalrous man in the sacred forest
Tao Wangling said that Wen Chang’s theory is mainly based on writing, probably imitating the Mie Cloud, Huang Ruheng and Xu Wenchang’s preface, saying that it is like Mi Dian, and the edges are scattered, but the length of the text is influenced by the word Mizi. It is obvious but not the main family’s inscription and postscript has been to Nangong many times, but it is not particularly praised as one person. His evaluation of the post-Song schools is fair and objective, and Xu Wenchang’s comments on the manuscript are not open.
The sword and halberd in the Yellow Valley is dense because it is long and scattered, and it is short and short, and the old Pu Sheng in the Suzhou Changgong College is not as handsome as the person in the Yaminang Palace. It is difficult to be dusty but poorly cooked, but it is not uniform. Cai Jin, the second king, is short and vulgar, and his ears are strong and even, but Meng Yi, although charming, is also vulgar, and his calculation rate is also vulgar. Also, I have a taste of my thinness. Is it true that Ni Zan has been reborn in Zhong Yuan Yao’s recommendation table?
Mr. Wen Hou’s fine print and his party commented on the calligraphy and painting of various schools, and the fine print of Xiao Shiwen was probably edited by Zhang Zongzhu, from which we can know that he is all over the school and can be very similar
Xu Wenchang didn’t know how to draw Liu Meipu’s two poems in fine print, but he didn’t draw them in Japanese poetry. It is obvious to all who he painted with or who he painted was influenced by Lin Liang. His admiration for Lin Liang is that Liu Chao Yunyan’s poems are truly two sentences: the flowers and birds who are the first to live in Lin Liang, Lin Liang, Song Ying, and, with a great momentum and a small show of ease, but it is good to draw begonia’s poems, begonia, begonia, spring flowers, purple silk and a standing bird. I saw them in February last year, but whose lake Shixi, a standing
Peony flowers versus stones
Swift flies low and apricot branches come.
Seduce a beauty into a smile
The painter’s difficulty is double cheeks.
I don’t know whether this poem is painted by someone else or by myself. I am very difficult in painting. I have not been told by others before. This is Xu Wei’s own painting. I can’t understand the difficulty. That is, the beauty of this is that there are not many mountains and rivers, but he has a profound appreciation of landscape painting. He has written several passionate poems for Shen Shitian, and he has a unique understanding of Ni Yunlin’s Wu Tibetan painting. The painting of Fujian, Wu, Tibet, Hong Mei and the double magpie is Ni Yuanzhen’s pen and the seal of his name is Wang Yuanzhang’s. At that time, It’s subjective and arbitrary, but I don’t know that Yunlin can’t talk about it, and the connoisseur can dream about it, but Wen Chang is a flower painter after all, and his true knowledge is that Chen Daofu Baiyang’s paintings are better than those of Ivy.
On painting
Deep-rolled cloud
You can’t know who the profound appearance is, but you can’t know who it is. You also go to see Gu Kaifen in the capital. He said that the piano is broken. When Gu Lu was in the Jin Dynasty, his pen was fine, round and strong, and the pictographic meaning of the ancient seal family was clean. Later, Zhang Sengyou Yan Li finally became Wu Dao Li Boshi, that is, he became slightly aware of the prevalence of the Sect of grass, but the freehand painting was another change, and he was also mortal in the volume, and he still took all the shadows, servants and staff, and he was also unforgettable. This is conceivable.
It’s a foregone conclusion that paintings with the same origin are connected with paintings. The study of beauty will say but can’t say that the prevalence of grass in China is freehand brushwork, especially the exploration of the origin of freehand brushwork is often rambling and confusing, and the length of the painting is always short, and it is clean and neat. The length of the painting is a freehand brushwork, the originator of freehand brushwork flowers in Yangzhou is the first, and the length of the language can be said to be self-evident. Yuan Hongdao said that Mr. Cheng Fa scattered the sacred words, and the rest of the flowers and bamboos overflowed, which led to freehand brushwork.
On Zhuang Yi’s grass
Wen Chang’s calligraphy and painting are all bold and unconstrained. Tao Wangling said that his cursive style is especially fine. Qi Weijie Yuan Hongdao said that his poems are bold and unrestrained. His paintings are conscious, freehand brushwork, dripping with ink, taking pleasure, and not seeking for a moment. He said, "Tu Yue Tu Yue Wipe Yue Sweep Yue Crazy Sweep and write bamboo as a gift to Li Changgong." Even three tails occasionally paint fish. This Yuan town ink bamboo will be painted and fingered at will. Who calls for the reed or hemp in the painting? I used to paint the fish, but I can’t answer the crazy grass.
Liu Meipu’s Two Preface Clouds
Liu Dianbao’s score of plum blossoms in one day can’t be painted if he has more than twenty-two comments, but the painting meaning is slightly understood if he is a poet, but he can be a little understood if he is a poet. The poems of ancient Yongmei are engraved with a great deal of depth, but he wants more than enough, but he doesn’t want to be redundant. However, it seems that it is essential to draw plum blossoms when he is a painter.
I don’t want to talk about it, but I will lose a lot of things if I ask for it, but I can keep more things if I don’t ask for it.
However, he does not advocate that you have to start with the rules to write statutes.
Mr. Dai Zhaowen is afraid to ask for more than 12 posts in the cloud museum. Although people in the times are different in their financial resources, their entry must be distributed in different ways, which makes them blind.
On this basis, we can strive for a breakthrough and even distribution without even writing.
Xu Wenchang doesn’t quite approve of the word "Yun Lun Yun", a stone carving by Su Jingang, is more like Su Wenzhong’s person, while the word "Yun Su Changgong College’s old Park Sheng" is not as handsome as his person. He explained that Zhuang Yi is not absolute in Zhuang Zhong, but Wen Zhong and Fa Yan are better than Du Shaoling’s poems, Chang Li Wen and Wu Dao’s paintings.
Similarly, he thinks that the grass is also related to Shen Zhengjun’s Zhou paintings.
Shen Zhengjun’s paintings are more freehand and the brushwork is twice as good. This volume is one of them, but it is also natural for a few guests to see its depth in Wuzhong. The height of Ruan’s body can be two feet. The height of the ancient trees is twice as high as that of the clouds. Zhao Wenmin is afraid of men, but he sees that the Suzhou scenery volume is exquisite to the slightest, and people are small, but only one bean works. This grass is good and wonderful, or it will be good and not good.
It is a truth and a sincere word to be good at walking but not good at walking. However, today, painters are not good at walking but good at following the crowd.
On Invading Li Beihai and Zhao Ang
Li Beihai post
Li Beihai’s post was killed. Every word invades each other. The method of mutual position is superior to the world. It is said that a wise teacher can cover his skin and ears better than meat, but it is slightly better than a broken bone. Begonia can lose business without iron and makeup.
The word "trespass" seems to be the most refined to talk about the law. This is actually the key to the knot. Invade each other’s positions and take care of each other. Every word of trespass can be said in all legalists, especially in Beihai, and it can be done without interfering with each other. This family is really a foolish bird, and Haitang is not even an iron stem, which means that words are simply put on hold.
Xu Wenchang is critical of Zhao Ang, but he is not mean. Zhao Wenmin’s ink is full of charm.
The ancients’ theory of true deeds, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, seal, and square, slightly different. True deeds are static in motion, and ultimately charming. Gaifeng is a little
Xu Wenchang’s words are in a trance, and he simply doesn’t know whether to praise or belittle. It’s always bad to be weak, but he points out that his living environment is full of morality and wisdom.
The world’s good Zhao women take their flattery and blame the ancient strength, but they can be called people by their light feet. However, the Tao Te Ching is particularly charming and stubborn, and it is called dry wood steamed cake medicine in the world.
On change
Painters don’t always look the same, but they often have to change their postscript and write down two interesting stories.
Dong Zhang Yao Zhang ordered Shen Zhengjun to draw one of them twice a day. I wish Jingzhao Xizhe to clamp his tail and try it. I wish this to be a little restrained and unrestrained. I wish that all gods are fickle. I wish Jingzhao change and others can distinguish his tail and relax. Sitting guests laugh.
It’s unexpected to change the kiln into a cloud after the three flowers of Jiu Hao, a native of Chenshan
If the pottery changes, it will be more wonderful, but if you want to be effective, you will do your best, and you will never be able to see the mountain people’s flowers again. If you leave more than a dozen papers in the day, it will be different. However, Yunying, however, the rain is falling and the dew is almost called Tao change.
When painting uninhibited, it is also gentle and graceful, and it is a white scroll.
Chen Daofu Flower House I grass seems to be flying alone. This post is both pure and numerous, and it is unbeatable. When you see Qiu Ma Jian Ji, a strong man in Fujian and Chu, you will be stunned, but when you embroider, you will be stretched and depressed. If a woman can be close, it is not the same.
In the heat of June 1999,
Talking about painting
Inscription painting is a special painting in China. It is influenced by China. China’s inscription painting has never been inscribed in the Tang Dynasty, and Song people’s paintings have few inscriptions until Lv Ji, a foundry painter, also wrote a name in an inconspicuous place. When the literati’s freehand brushwork rose, Wang Mian painted plum as a poem. Xu Wenchang’s inscription poem can be compiled into a roll of Yangzhou strange. Almost every painting must be inscribed with Wu Changshuo Qi Baishi’s inscription.
Three essentials of painting